Abstract
Wang Jianmin's five "Erhu Rhapsody" are milestone works in contemporary erhu creation. He incorporates the creative concept of "the combination of Chinese and Western, and the appreciation of elegance and popular" into modern erhu works, making his works have a high degree of artistic and academic value. With his profound melody creation skills, he created beautiful melodies, which won unanimous praise and high praise from the audience in aesthetic appreciation. His works draw lessons from Western composing techniques and genres and make innovations on this basis, incorporating national styles and structural elements of national music, making national music available to the world in a brand-new way. Mr. Wang Jianmin strives for perfection, perseverance, and breakthrough in his creative career. He has a good grasp of the degree of innovation in all angles of the work, and strives to promote skills with music, designing the difficulty and skills of the work from the perspective of the composer, and then practicing it through performance, Promotion, announced the development of erhu performance and the discipline of erhu. This article will conduct a systematic aesthetic analysis of the five "Erhu Rhapsody" from the perspective of music aesthetics, the logical thinking mode of music philosophy, and take "The Fifth Erhu Rhapsody" as an example, to explore the aesthetic characteristics of Mr. Wang Jianmin's five Rhapsody.
Highlights
The reshaping of music performance refers to the completion of the sound shaping according to the requirements of the work
"The Third Erhu Rhapsody", composed in August 2003, is an erhu work commissioned by Mr Wang Jianmin for the third highest Chinese music award-the "Golden Bell Award" National Erhu Competition
In the final stage of the Golden Bell Award Erhu Competition, as the competitor's compulsory repertoire, Mr Wang Jianmin was commissioned by the Golden Bell Award Organizing Committee to create "The Fifth Erhu Rhapsody-Hymn", which was astounded by the concert of the Guiyang Symphony Orchestra field
Summary
The reshaping of music performance refers to the completion of the sound shaping according to the requirements of the work. It requires the performer to study and analyze the music score carefully, understand the background of the times generated by the music score, the emotional life of the composer, and the creative style, and fully grasp the situation. The requirements of the work in terms of expression form and spiritual connotation, so as to follow the instructions of the music score and the wishes of the composer to explain the creative concept and intention of the work
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