Abstract
In 2016 the International Conference “Actual Problems of Theory and History of Art VII” withthe discussion focusing on “Artifact, Art-object, Argument. An object in Visual Arts: Tasks, Methods, Results” chose as its emblem the painting “Aegina” by the St. Petersburg artist Gleb Bogomolov. This large-scale paintingbecomes the starting point for analyzing the final period of the master’s work in the context of the classical tradition in contemporary art interpretation. Bogomolov’s multi-channeled creativity allowed choosing his work as an emblem, in which, as in cultural code, one can read many meanings, associated with the problems of contemporary art history and museology discussed at the conference.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
