Abstract
I will define adventure abstractly, as I have before in discussing the adventure tale, calling it a series of events that outrages civilised or domestic morality and that challenges those to whom these events happen to make use of powers that civil life forbids to the ordinary citizen, powers restricted (in a home country) to the police, the secret services, the army. For in the prototypal case, to engage in adventure means to engage in violence, but associated with violence are certain kinds of virtue, like leadership, cunning, endurance, courage, and so on. Adventure shows us heroes, men acting with power. Perhaps the central virtue in that list is courage—meaning ... the physical kind. (Martin Green 1993, 4)
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