Abstract
This interview originated as a series of conversations that took place from May 2019 to January 2021. Focusing on the multimedia artist Stacey Tyrell's photographic series, Chattel (2007–present), the discussion provides an introduction to the origins of the project and outlines the histories and conceptual premise that underlie its making. Reflecting upon the Chattel series' relation to Tyrell's performative projects that challenge notions of Eurocentric beauty and consider conceptions of cultural heritage as capital, Tyrell describes the way that unseen histories and vexed questions of belonging are played out within the genre of landscape photography.
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