The acoustics of therapeutic subjectivity and their impact on the resonance of mutual recognition.

Abstract

This paper addresses how musical metaphors can be useful in understanding the substructure of psychotherapy by considering how our patients resonate inside us, what that resonance does to and for us, and how these acoustic properties seem to be foundational in the construction of the therapist as an instrument of healing. From this perspective, psychotherapy involves "living music" with another person, as the process of psychotherapy always involves the passing of sound back and forth across an interpersonal divide. This requires both psychotherapist and patient to step into the roles of performer and audience member. Additionally, psychotherapists can be meaningfully thought of not only as an "instrument" of healing, but also an "instrumentalist" who produces unique "therapeutic music." Moreover, the patient and therapist cocreate the concert space in which treatment is performed. This concert space has unique "architectural," and thus acoustic, properties within which we hear and remember one another.