Abstract
The symposium focused on exploring historical martial arts, on contemporary movement disciplines that inform the practice of stage combat, and the technologies currently in use in the entertainment industry. This well-attended symposium drew a global body of presenters and participants (a total of about 200 people) and offered a platform for stage combat practitioners, historians and scholars to share and exchange research, methodological approaches and skills. The symposium embraced pluralistic views on stage combat styles and / or techniques, on teaching methodologies, on interpretations of and perspectives on stage combat.
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