Abstract
The last known surviving 19th century Tasmanian-made banner presented many conservation challenges as a result of its size (2.7 x 3.2 metres), structure (painted silk glued to calico) and poor condition. The silk, particularly on one side, had deteriorated to such an extent that it became a jigsaw of small pieces scarcely attached to the calico.Treatment, however, was but one of the challenges, other issues included:• conservation attitudes towards ‘Fine Art’ compared to ‘People’s Art’• funding• time and budget factors in determining treatment options• student and volunteer contributions• conservation exchange program• display, storage, and transport mechanisms• public support as a result of completion of treatment
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