Abstract
This paper considers Absalom, Absalom!'s Thomas Sutpen as an artist figure, discussing his life in terms of Bakhtin's continual mutual interaction between work and world. By treating Sutpen's career as a self-constructed narrative, we can assess anew both his rise and fall, and the extent to which he can be called a representative Southerner.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
