Abstract
Abstract In this interview essay, stef torralba talks with scholar-critic Alexander Ghedi Weheliye about the author's scholarly work, writing practice, and musical inclinations, as well as the current state and future directions of Critical Black Studies. Taking inspiration from Weheliye's interests in the textures of Black, BlackFem, and Black queer and gender-variant life and aesthetics as discussed in the interview, torralba offers texturality as an analytic that characterizes the scholar-critic's work. Together, the essay and interview highlight how Weheliye's oeuvre enables more nuanced and capacious, and thus textural and textured, imaginings of humanity, technology, political subjecthood, and modernity that center the experiences of Black, BlackFem, and Black queer and gender-variant subjects. Weheliye's attention to technologized Black and Black queer and feminist sonic aesthetics from the early twentieth century to the present as spaces to feel out the textures of other worlds renders his scholarship and thinking essential to this special issue's engagements with the disruptive and insurgent dimensions of Black queer musical aesthetics.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.