Abstract
Texture and harmony parameter of the vocal and performance style (a case study of G. Sviridov’s works)
Highlights
The article is devoted to the study of the role of harmony and texture in the process of forming the singer’s performance thinking
Instrumentalism constitutes artistic unity expressed through the texture and harmony set
How does the monody in the vocal part interact with the instrumental texture? This aspect is a “stumbling block” for the vocalists who study vocal styles of music by composers of the 20th century
Summary
Sun Bo. Texture and harmony parameter of the vocal and performance style Sviridov’s vocal compositions is the leading factor of the style, influencing the texture and harmony and timbre parts of the sound image (the unity of the vocal and instrumental intonation). It entails the need for deep comprehension of the composition foundations (melodics, mode and harmony, texture) through the performance specifics (articulation, dynamics, agogics). The given examples confirm the importance of the texture and harmony parameter in the process of the formation of melodic pitch in the works of foreign-language singers.
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