Textual Transformations: Iain Sinclair’s Black Apples of Gower and the Merlin Legend

Abstract

This paper explores the connections between Iain Sinclair’s 2015 travelogue Black Apples of Gower and the Merlin legend. Despite the fact that, on the surface, Sinclair does not refer to the early Welsh merlinistic tradition, on closer inspection both share what M. Wynn Thomas has described as “hidden attachments” – cross cultural connections and experiences between the two literatures of modern Wales. The archaic bedrock of the Merlin legend and the alchemical imagery in Sinclair’s book are both rooted in the mythico-ritualistic complex of symbolic regeneration based on the repetition of the act of original creation. Both Merlin and the alchemical process involve an ontological transformation which is mirrored in Black Apples of Gower by the transcendence of textual and medial boundaries: a complex network of intertextual allusions and word-image relationships (ekphrases, reproductions and illustrations). By exploring these relationships, along with the merlinistic and alchemical imagery present in the text, I argue that the work employs the strategy of what I call textual nigredo – a process of intertextual and intermedial transformation. The affinities identified between the Merlin legend and Sinclair’s travelogue provide an argument for seeing Iain Sinclair as a Welsh writer and shed new light on the links between the Welsh-language literary tradition and English-language Welsh writing which may be pursued further in the future.