Abstract

Abstract The semiotic self derives from one’s idea of self. It consists of a trio of relations between one’s past self, present self and future self, in which the present self speaks to the future self by interpreting the past self. During such a reflexive process, the self may be bothered by the conflicting identities rising therein if particular identities force the self to move upward or downward, and fail to reach a coherent, continuous self. In the movie Black Swan, Nina’s inability to render the alternating role between the white swan and the black swan is a case in point. The self, beset with conflicting identities, finds its best expression in Nina’s confusing roles in face of her “ being” and “playing” on the stage. This paper investigates Nina’s textual identities by way of her semiotic self that houses her shifting identities.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call