Terror-Time in Network-Centric Battlespace: DeLillo’s Later Fiction

Abstract

Variously addressing the war on terror now waged in the “full-spectrum dominance” of network-centric battlespace, DeLillo’s most recent four novels (published immediately before and since the 9/11 attacks) work to produce stillness as opposed to seductive, terroristic speed—to detach identities from everyday practices of time and elaborate transformative experiences for the reader. Each novel constitutes a complex hetero-chronograph, a textual apparatus that not only measures time but also produces altered temporal forms that slow down and multiply felt times and durations. Redeploying Bakhtin’s notion of the text as an unrepeatable event co-produced by the author and reader, this article explores how DeLillo’s texts enable the reader to become an actor, to produce and experience modes of resistance to the totalizing forces of terror by the realization of a network of virtual narrative associations among economic, political, aesthetic, and ethical vectors. Such relations are mapped on a Greimassian semiotic square of “terror-time.”