Abstract
The purpose of the research is to analyze terror through screen images as a power discourse and to establish the role of an impact in the field of television art. Research methodology. The following methods were used: analysis and synthesis (the interdependence of the screen images, which are a kind of amplifier of intellectual potential on the screen, was analyzed); generalization (summary was made based on the analyzed links); systematization (all information collected during the research is systematized). The scientific novelty lies in the detailed consideration of the terror’s components in the screen arts. An attempt to influence the modern viewer with “terrorist” images. Conclusions. During the research, the scientific achievements of domestic researchers on the topic of coverage of power discourse in the media and cinema were analyzed. The role of the power discourse’s impact in the field of television art has been established. The peculiarities of screen images, their role and their influence on society have been revealed. The peculiarities of terror by screen images in the modern media space have been generalized. The impact of social networks and TV channels on the consciousness of people through manipulations has been determined.
Highlights
In recent years modern television has become a major source of manipulation
Ключевые слова: террор; экранный образ; экранное искусство; манипуляция; влияние; современное телевидение
Summary
A power discourse and to establish the role of an impact in the field of television screen arts; art. The following methods were used: analysis and manipulation; synthesis (the interdependence of the screen images, which are a kind of influence; amplifier of intellectual potential on the screen, was analyzed); generalization modern television (summary was made based on the analyzed links); systematization (all information collected during the research is systematized). The scientific novelty lies in the detailed consideration of the terror’s components in the screen arts. An attempt to influence the modern viewer with “terrorist” images
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More From: Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production
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