Abstract
ABSTRACT This research delves into the remarkable surge in cultural facilities within the Pearl River Delta (PRD) spanning the last forty years. It unveils the intricate interaction between entrepreneurial urban strategies and state-driven territorial authority. We reconceptualize these facilities as entrepreneurial tools serving the ideological goals of the Party-state. While expected to achieve economic sustainability through the synergy of symbolic assets and augmented land value, cultural facilities redirect urban entrepreneurialism to foster national pride, fortify internal cohesion, disseminate state dominance, standardize regional identity, or extend territorial influence. Thus, the emergence of the cultural facility boom in the PRD is not the outcome of a singular policy objective; rather, it is a confluence of diverse core interests of the Party-state, and the interplay between entrepreneurial practices and ideologies varies across historical periods. This thesis bridges a gap between China’s political-economic conditions, cultural facilities, and territorial power, thereby augmenting the “state entrepreneurialism” approach.
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