Abstract

Terminology of many fields of knowledge has become a component of modern language. It is the basis of professional communication, often breaks stylistic boundaries and under the influence of external and internal language factors expands the scope of its operation. Penetrating into the poetic context, the terms denote both the realities of modern everyday life and become a source of artistic imagery. A. Moisienko's poetry has not been considered from this point of view yet, so the article intends to consider the idiosyncrasy of the writer in such a perspective. Anatolii Moisienko is a well-known Ukrainian poet, author of poetry collections: "I Accept" (1986), "Sonnets and Verlibry" (1996, 1998), "Chess Poetry" (1997), "Seven strings" (2003), "Favorites" (2005), "From the Chernihiv Gardens: New Sonnets and Verlibrs" (2008), "About Veronica Borachok" (2020), etc. He is also known as a translator from German and Slavic languages. Despite his high scientific degree and a worthy position at the prestigious Kyiv University, his soul has always longed for the poetic word, the music of sounds in poetic images. . Moisienko as a scientist constantly operates with te. Moisienko as a scientist constantly operates with terms in his professional activity. This is mainly a philological terminology. However, in his poetic texts we come across the terminology of various spheres of life: flight, airfield, airplane, liner (aviation vocabulary), hard labor, prison (penitentiary), music, melody, sonata, allegro, flute, overture, orchestral, symphony, clarinet, drum, horn (musical), poetry, grotesque, rhyme, epilogue (literary studies), harvest, scythe, mowers, field, stubble, grass, farmer, harvest, rye (agriculture), icon, pray, fasting (sacred), trolleybus, tram, bus, stop, route (transport), cannon, shot, battle, enemy , protection, rifle (military), lightning, storm, rain, wind, snow, sun, clouds, huga, frost (meteorological), convulsions, body, pain, X-ray, plague (medical), etc. In the literary text there is a rethinking of the term in the figurative plane, where semantic innovations are born, due primarily to the context of use. The author's linguistic thinking is purely individual. The subject of poetry is extremely broad. Terminology, which covers not only terms but also professionalisms, professional jargons, nomenclature names, in the poetic text rarely performs its main function - the designation of scientific concepts. For the most part, it becomes an integral part of the figurative outline of the work. The poetic word is the bearer of intellectual and emotional memory, which is actualized in certain images, able to express in a condensed form the emotional attitude to the signified, and therefore has its own internal epistemological, socio-psychological potential.

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