Abstract
AbstractThis article discusses a category of conch-shell gorgets, mainly semielliptical in shape, which were produced during the Terminal Classic period in central Mexico and/or the Maya lowlands. We describe the iconography and style of these ornaments, seek precedents in other media for their themes, and use stylistic and epigraphic data to connect them to long-distance economic and political interactions between the Maya region and central Mexico. Although the portraits on most of the gorgets diverge from earlier Classic Maya conventions, neither do they conform to central Mexican canons. Further discoveries of such pendants in archaeological context may clarify their origins and social uses.
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