Abstract
This paper seeks to argue that the literary genre known as dystopia is configured, from the perspective of critical theory of society, as an analysis tool of radical modernity. Therefore, there is a brief description of what would such a literary genre, as well as elect three dystopian works to bring proof that argument. Such works are: 1984, Orwell, Fahrenheit 451, Bradbury, and Brave New World, Huxley. Highlighting some of these characteristics, it is possible to shed light on the distinctive features of our contemporary.
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