Abstract
The background of this research is that Tenganan Pagringsingan Village, Karangasem Bali, produces the best Ikat Weaving in Indonesia. One of the Ikat Weaving is Gringsing Weaving produced by the community in Tenganan Pagringsingan Village, Karangasem Regency, Bali. This village is one of the villages inhabited by the people of Bali Mula or Bali Aga (Original Bali) alias Bali who were not from Java when the Majapahit Kingdom expedition to Bali. Weaving is a process of weaving between weft and warp threads. Warp yarns (threads that are attached to the loom) and weft (threads that are linked to the warp threads) which, if both are linked, will produce motifs. This simple process of craft art is now developing into a number of techniques in weaving depending on the creativity of each human - each so as to produce creations of attractive weaving motifs. In the subsequent development of weaving, it can be seen that the woven cloth produced is no longer a body covering material but the woven fabric has more functions than the body covering, for example this woven cloth has a function as traditional clothing or as the identity of the maker area. In addition, woven fabric can be used as a work of art that appears in accordance with local community life.This gringsing weaving describes the system of balance which is about the relationship between humans and humans, humans with nature, and humans with God. The god of the senses who are always worshiped by the Tenganan Pagringsingan people of Karangasem Bali are respected by a pandanus war rite, the pain seems to vanish by gringsing which always binds the body. Gringsing is believed to be able to avoid disease. Even more complex gringsing is a repellent of danger. Based on the background above, in this study the focus is on the process, forms of motifs and symbolic meaning of weaving gringsing in Tenganan Pagringsingan Village, Karangasem, Bali.
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