Abstract
Abstract Aesthetic universals may plausibly reflect biases in aesthetic reception that arose through evolutionary pressure. However, the role universals play in high-level aesthetic creativity is not well understood. After reviewing evolutionary aspects of aesthetics, some specific proposed aesthetic universals, and the nature of creativity in aesthetic domains, I examine a creative dynamic in which long-term pressure for novelty leads to inexorable tensions with canalized aesthetic biases. Examining the role of aesthetic universals in individuals’ creative processes, as well as more thorough trans -historical assessments of the development of universals, are proposed as methodological strategies for gaining traction on this issue. Such investigations have the potential to inform the role of the audience in shaping the evolution of artist styles, how universals play out in high versus low art, the possibility of identifying new aesthetic universals (perhaps particularly with conceptual art), and the relative value of novelty versus adaptive value in aesthetic creativity.
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