Abstract
Durante el primer franquismo, las procesiones de Semana Santa en Huelva fueron espacios socio-simbólicos instrumentalizados por los poderes políticos y eclesiásticos locales para representar y ritualizar unas narrativas e imaginarios que sirvieran para construir una legitimación sagrada y popular de la dictadura. Pero en las décadas de los sesenta y setenta, una parte de la Iglesia se desvinculó de ese proyecto compartido con el régimen, y la Semana Santa se convirtió en un escenario simbólico en el que se reflejaron conflictos intraeclesiales y sociopolíticos entre dos culturas políticas católicas. Este trabajo aborda una aproximación a la división eclesiástica y las tensiones expresadas a lo largo del segundo franquismo a propósito de la Semana Santa onubense, reflejo de la fractura entre poderes con la que concluiría el régimen franquista.
Highlights
During early Francoism, processions of Huelva’s Easter were socio-symbolic stages where the political and ecclesiastical authorities ritualized and represented narratives and imaginaries that served to construct a sacred and popular legitimacy of the dictatorship
In the sixties and seventies, a part of the Catholic Church would dissociate itself from that project shared with Francoist regime
This paper deals with an approach to ecclesiastical division and tensions expressed throughout the second Francoism around Huelva’s Easter
Summary
During early Francoism, processions of Huelva’s Easter were socio-symbolic stages where the political and ecclesiastical authorities ritualized and represented narratives and imaginaries that served to construct a sacred and popular legitimacy of the dictatorship.
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