Abstract
In mid-century popular presses published paperbacks about lesbians, gay men, and characters with male and female lovers. Barbara Grier was the first to catalog novels featuring lesbian subplots by classifying stories based on the extent and style of lesbian content. I perform a content analysis of 49 novels, motivated by these questions: How did novels with lesbian and gay characters differ from heterosexual romances? What do differences reveal about cultural understandings of love, gender, and sexuality? I find uniformity in the structural logic of novels. However, there are different narrative strategies, and protagonists’ gender and sexuality predict a novel's trajectory.
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