Abstract

Music maintains a characteristic balance between repetition and novelty. Here, we report a similar balance in singing performances of free-living Australian pied butcherbirds. Their songs include many phrase types. The more phrase types in a bird's repertoire, the more diverse the singing performance can be. However, without sufficient temporal organization, avian listeners may find diverse singing performances difficult to perceive and memorize. We tested for a correlation between the complexity of song repertoire and the temporal regularity of singing performance. We found that different phrase types often share motifs (notes or stereotyped groups of notes). These shared motifs reappeared in strikingly regular temporal intervals across different phrase types, over hundreds of phrases produced without interruption by each bird. We developed a statistical estimate to quantify the degree to which phrase transition structure is optimized for maximizing the regularity of shared motifs. We found that transition probabilities between phrase types tend to maximize regularity in the repetition of shared motifs, but only in birds of high repertoire complexity. Conversely, in birds of low repertoire complexity, shared motifs were produced with less regularity. The strong correlation between repertoire complexity and motif regularity suggests that birds possess a mechanism that regulates the temporal placement of shared motifs in a manner that takes repertoire complexity into account. We discuss alternative musical, mechanistic and ecological explanations to this effect.

Highlights

  • Many oscine songbirds learn and perform an impressive variety of songs

  • We examined whether individual birds present their singing repertoire in a manner that balances between repertoire complexity and temporal regularity

  • We explored two levels of temporal regularity in the singing performance of individual pied butcherbirds: at the level of song phrase types, and at the level of shared motifs

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Summary

Introduction

Many oscine songbirds learn and perform an impressive variety of songs. The European nightingale (Luscinia megarhynchos), northern mockingbird (Mimus polyglottos) and pied butcherbird (Cracticus nigrogularis) have acquired notoriety for their singing virtuosity [1]. It might be easier for birds to produce [7], perceive [8,9] and remember [10] songs if their temporal patterning is structured [11,12] This trade-off between diversity and regularity has an interesting parallel in human music, which maintains a characteristic balance between repetition and novelty [13,14,15]. Repetition and variation are carefully balanced, avoiding extremes that lead to habituation or overload [18,19,20,21]. In this manner, balancing repetition and variation in rhythms, pitch intervals or timbres can affect emotions—creating expectation, anticipation, tension, release or surprise [22,23]

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