Abstract
1. Contributors 2. Chapter 1. Introduction: Analysing telecinematic discourse (by Piazza, Roberta) 3. Part I. Cinematic discourse 4. Chapter 2. Discourse analysis of film dialogues: Italian comedy between linguistic realism and pragmatic non-realism (by Rossi, Fabio) 5. Chapter 3. Using film as linguistic specimen: Theoretical and practical issues (by Alvarez-Pereyre, Michael) 6. Chapter 4. Multimodal realisations of mind style in Enduring Love (by Montoro, Rocio) 7. Chapter 5. Pragmatic deviance in realist horror films: A look at films by Argento and Fincher (by Piazza, Roberta) 8. Chapter 6. Emotion and empathy in Martin Scorsese's Goodfellas: A case study of the funny guy scene (by Bousfield, Derek) 9. Chapter 7. Quantifying the emotional tone of James Bond films: An application of the Dictionary of Affect in Language (by Kozinski, Rose Ann) 10. Chapter 8. Structure and function in the generic staging of film trailers: A multimodal analysis (by Maier, Carmen Daniela) 11. Part II. Televisual discourse 12. Chapter 9. I don't know what they're saying half the time, but I'm hooked on the series: Incomprehensible dialogue and integrated multimodal characterisation in The Wire (by Toolan, Michael) 13. Chapter 10. The stability of the televisual character: A corpus stylistic case study (by Bednarek, Monika) 14. Chapter 11. Star Trek: Voyager's Seven of Nine: A case study of language and character in a televisual text (by Mandala, Susan) 15. Chapter 12. Relationship impression formation: How viewers know people on the screen are friends (by Bubel, Claudia) 16. Chapter 13. Genre, performance and Sex and the City (by Paltridge, Brian) 17. Chapter 14. Bumcivilian: Systemic aspects of humorous communication in comedies (by Brock, Alexander) 18. References 19. List of tables 20. List of figures 21. Index of films and TV series 22. Index
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