Abstract
Abstract This article examines power and coercion in five Middle English and Middle Scots lyrics voiced by pregnant, abandoned singlewomen. It focuses on the language of consent and embodiment in these pregnancy laments, arguing that they both protest and normalize masculine violence in heterosexual erotic relations, highlight the various factors that undermine young singlewomen’s consent, articulate acute dissatisfaction with gendered power inequalities, and demonstrate the devastating consequences of sexual ignorance. It explores the different ways that we can read these lyrics when considering issues of voice, audience, performance, and manuscript context. The essay closes by linking the popularity of medieval unplanned pregnancy narratives to modern-day reality television programming, arguing that the trans-historical popularity of these stories merits further exploration.
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