Abstract

Introduction The Americanization of Expressionism: The Hairy Ape (1922) and The Adding Machine (1923) Sensualizing and Sanctifying Technology: Machinal (1928), The Subway (1929), and Dynamo (1929) Theater of the Thirties: Machines to Socialize the Soul: Waiting for Lefty (1935), Altars of Steel (1937), and O! Pyramids (1933) Balancing the Nuclear and the Greater Human Family: The Skin of Our Teeth (1942) and All My Sons (1947) Emotionally and Thematically Integrated Technology: A Streetcar Named Desire (1947) and Death of a Salesman (1949) Conclusion Works Consulted

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