Abstract
The article focuses on the role played by the critique of technology in the thought of German philosopher Herbert Marcuse (1898–1979). We argue that Marcuse has developed not only an important criticism of modern technology but also an original theory on the new possibilities of technique, based on the concept of new sensibility, developed mainly in the books An Essay on Liberty (1969) and Counterrevolution and Revolt (1972). On the basis of this hypothesis, our essay first pays particular attention to Marcuse’s analysis of instrumental rationality, where we show that according to the author’s perspective, despite technology’s use for instinctive domination, it carries emancipatory possibilities. In the second part, we analyse the Economic and Philosophic Manuscripts of 1844, from Karl Marx, pointing that his proposition of a freed sensibility in human’s relation to nature deeply contributes to Marcuse’s perspective of emancipation. Finally, we analyse Marcuse’s thesis developed during the 1960’s and 1970’s, showing how the author builds the proposition of new sensibility in relation to emancipatory possibilities of imagination, arguing that his analysis leads to a new form of science and to a new approach to nature.
Highlights
Le travail philosophique de Herbert Marcuse (1898–1979) comprend une analyse importante du rôle de la science et de la technique au sein de la société industrielle
The article focuses on the role played by the critique of technology in the thought of German philosopher Herbert Marcuse (1898–1979)
We argue that Marcuse has developed an important criticism of modern technology and an original theory on the new possibilities of technique, based on the concept of new sensibility, developed mainly in the books An Essay on Liberty (1969) and Counterrevolution and Revolt (1972)
Summary
Le travail philosophique de Herbert Marcuse (1898–1979) comprend une analyse importante du rôle de la science et de la technique au sein de la société industrielle. Marcuse parvient à dévoiler l’instrumentalisation de la raison qui ordonne les modes de vie dans la société capitaliste, soulignant ainsi non seulement les principaux aspects répressifs de la chaîne productive, mais aussi la manutention d’un principe de réalité responsable du façonnement du cadre anthropologique pulsionnel.[1]. La critique de la société industrielle avancée et de l’instrumentalisation de la raison qui se manifeste dans son intérieur, telle que mise en œuvre par Marcuse, dévoile une technique soumise aux enjeux historiques et politiques. Nous montrerons comment l’auteur parvient à construire la thèse d’une dimension esthétique en inscrivant en son centre le concept de nouvelle sensibilité, afin de mettre l’imagination au service d’un projet technologique d’émancipation
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