Abstract
Abstract Kirsty Robertson (McGill-Queens University Press, 2019), 432 pages. This is a review of Kristy Robertson’s Tear Gas Epiphanies: Protest, Culture, Museums, which deals with the use of museums as spaces of protest, both as a location and as a target. She uses a series of case studies to study this esoteric cross-section to more closely understand the intricacies.
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