Teaching the Language of the Mother Drama From the Lexical-Semantic and Morphological Point of View

Abstract

Huseyin Javid succeeded in bringing the language of poetry to the stage for the first time with the Mother verse drama. He is a master of powerful artistic monologues. The dramatist builds monologues so skillfully that the character’s inner hand, outlook on life, society, heart palpitations, tremors, excitement and other feelings attract the attention of the reader at the first moment. H. Javid was a lover of contrasts. M. C. Jafarov clearly observed that in this work opposite moral qualities such as generosity and selfishness, bravery and cowardice, simplicity and arrogance were contrasted, and all these were shown in living characters. An important aspect is added to this, that here the images were divided into two fronts based on their positions and moral and spiritual qualities: the poor and the rich. Therefore, the author also saw the main contradiction in the socio-political situation and showed it as an irreconcilable contradiction between the poor and the rich, the powerful and the oppressed.