Abstract
1. Prelude: Positioning Singing Pedagogy in the 21st Century by Jessica O'Bryan and Scott Harrison.- PART I: OVERVIEW 2. Singing Pedagogy in the 21st Century: A Look Toward the Future by Scott McCoy.- 3. Habits of the Mind, Hand and Heart: Approaches to Classical Singing Training by Jessica O'Bryan.- 4. Teaching Popular Music Styles by Kim Chandler.- 5. A Brief Overview of Approaches to Teaching the Music Theatre Song by Jeannette LoVetri with Mary Saunders-Barton and Edrie Means Weekly.- PART II: SINGING, THE BODY AND THE MIND 6. Vocal Health and Singing Pedagogy: Considerations from Biology and Motor Learning by Douglas F. Roth and Katherine Verdolini Abbott.- 7. The Role of the Speech and Language Therapist - Speech Pathologist - in the Modern Singing Studio by Ron Morris.- 8. The Extra-Normal Voice: EVT in Singing by Michael Edward Edgerton.- 9. Registers Defined through Visual Feedback by Donald Gray Miller.- 10. Body Mapping: Enhancing Voice Performance through Somatic Pedagogy by Heather J. Buchanan.- 11. Vocal Pedagogy and the Feldenkrais Method by Stephen Grant.- 12. Perception, Evaluation and Communication of Singing Voices by Helen F Mitchell.- 13. The Teacher-Student Relationship in One-to-one Singing Lessons: An Investigation of Personality and Adult Attachment by Sofia Serra-Dawa.- 14. Negotiating an 'Opera Singer Identity' by Jane Oakland.- PART III: APPROACHES TO STYLE 15. Style and Ornamentation in Classical and Bel Canto Arias by Martha Elliott.- 16. Handel and the Voice Practitioner: Perspectives on Performance Practice and Higher Education Pedagogy by Paul McMahon.- 17. Contemporary Vocal Artistry in Popular Culture Musics: Perceptions, Observations and Lived Experiences by Diane Hughes.- 18. Pathways for Teaching Vocal Jazz Improvisation by Wendy Hargreaves.- 19. Voice in Worship: The Contemporary Worship Singer by Daniel K. Robinson.- 20. Take my Hand: Teaching the Gospel Singer in the Applied Voice Studio by Trineice Robinson-Martin.- PART IV: THE TRAINING GROUND 21. The Conservatorium Environment: Reflections on the Tertiary Vocal Setting Past and Present by Margaret Schindler.- 22. More Than Just Style: A Profile of Professional Contemporary Gig Singers by Irene Bartlett.- 23. Developing a Tertiary Course in Music Theatre by Paul Sabey.- 24. Training the Singing Researcher by Scott Harrison.- POSTLUDE 25. The Future of Singing Pedagogy by Scott Harrison and Jessica O'Bryan
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