Abstract
This article surveys recent scholarship on Middle English romances, observing that outside Malory, Chaucer, and the Gawain-poet, most romances remain little-known. To be sure, the corpus and development of Middle English romance are unwieldy and complicated, compared to that of Old French romance. New work on the romances, however, redefines the relationships between Middle English romance and its French sources, explores the aesthetic values of Middle English romances, and offers new approaches to teaching Middle English romances beyond the few most famous ones. Moreover, theoretical approaches to medieval romance encourage discussions across traditional period boundaries; medievalists also have special skills to contribute to scholarship. Current work on medieval English romance focuses on its aesthetic as well as cultural properties, bringing both into play in the classroom as well as in scholarship.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
