Abstract

ABSTRACT Musical Futures approaches, with their roots in informal learning, have been the subject of much research internationally, with studies showing their significant impact on music education policy and practice. Within a theoretical framework drawn from the work of the sociologist Pierre Bourdieu, this paper examines the manifestation of habitus as both the nexus at teacher practice (connecting its discrete elements), and the nexus as teacher practice (the focal point of teacher practice). Using Participatory Case Study Research, generalist primary teachers (n = 7) and students (n = 137) from six primary schools in the Republic of Ireland engaged with Musical Futures from a period of ten to thirty weeks. The findings situate teachers’ conceptualisations of self, using habitus as a lens to interpret how these elements mediate and are mediated by practice. These findings illustrate how teachers draw considerably on their personal musical experiences to inform their professional practice. In this research, engagement in Musical Futures generally brought about a renaissance of personal music making for teachers in this study, proffering unique insights into informal and non-formal music teaching and learning within the Irish primary generalist context.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.