Tea forest in the making: Tea production and the ambiguity of modernity on China’s southwest frontier

Abstract

The simultaneous but incompatible desires for both “tradition” and “advancement” have produced the “ambiguity of modernity” in the areas of minority nationalities (shaoshu minzu diqu) on China’s southwest frontier. This paper, in accordance, directly addresses the ambiguity of modernity through the investigation of the tea landscape in Yunnan. This essay builds on Aihwa Ong and Stephen Collier’s “global assemblage” framework to analyze the relationship between the “global form” of modernity and the situated assemblages of “ambiguity of modernity” in southwest China. Data are based on ethnographic research in the village of Mangjing, located in Jingmai Mountain, a renowned tea mountain in Yunnan. Most of the villagers in Mangjing are one of the minority nationalities of China, Bulang. I discuss the state-led project in transforming the modern tea plantation for “restoring” a landscape deemed as “ancient tea forest” (guchalin) in Mangjing. In addition, I address Bulang villagers’ and government officials’ multiple responses to the transformation of tea landscapes. I argue that the transformation of tea landscapes has been the practice to turn the “global form” of modernity into the shifting “assemblages” amongst tradition, modernity, science, and nature. The ambiguity of modernity has emerged from the shifting assemblages, providing both the state and Bulang villagers more leeway to symbolically and physically (re)produce meanings for the tea landscapes to meet the contingent market demand for tea. The transformation of tea landscapes, however, has become another process to perpetuate Bulang villagers’ social status of being “low quality” as China’s minority nationalities.