TARI TOPENG SEKARTAJI ONĔNG RESULTS OF REINTERPRETATION OF TARI TOPENG SEKARTAJI TUNGGAL BY SULISTYO HARYANTI

Abstract

The Sekartaji Tunggal Mask Dance by Sulistyo Haryanti is an interpretation of the Sekartaji Mask Fragment which was reinterpreted to become the Sekartaji Onĕng Mask Dance. This study answers the problems of (1) the form of the Sekartaji Tunggal Mask Dance, (2) the process and results of the reinterpretation of the Sekartaji Tunggal Mask Dance by Sulistyo Haryanti to become the Sekartaji Onĕng Mask Dance. The method used in this qualitative research is descriptive analytics. In discussing the problem of form, the concept of form is used by Katarina Indah Sulastuti that form is related to dance or choreographic compositions which include interrelated elements, including motion, make-up, dance music, floor patterns, dramatic designs, properties, place and time of performance. Dharsono Sony Kartika discussed the reinterpretation of art that conceptually tries to reinterpret traditional art forms. By following with modern techniques and the artist's style of expression individually in expressing ideas, the creation of works of art can reinterpret traditional art idioms, as a model of conservation, and development, or also known as cultural personal expression. The results showed that the form of the Topeng Sekartaji Tunggal dance by Sulistyo Haryanti uses the movements of the developed Bedhaya and Srimpi Dances. The music for the dance refers to Fragmen, the clothing used refers to the character Sekartaji, the floor pattern uses straight and curved lines. The process and results of the reinterpretation produce the Topeng Sekartaji Onĕng Dance through the stages of preparation, exploration, improvisation, the training process, the stabilization/rehearsal stage and the reinterpretation results are carried out in the motion of the mask, the dance music adds songs and monologues. Corrective makeup uses a paes style mask with a dodot klembrehan dress. The dramatic design is reinterpreted with 5 peak points towards the climax and 4 descending points, the floor pattern emphasizes the curved line pattern.