Taras y desventuras de la figura del viejo entremesil de Quevedo

Abstract

This paper will analyze the figure of the old man —a character amply rooted in literature and folklore— in Francisco de Quevedo’s interludes. Contrary to the perception of old age as a time of experience and wisdom, proper to other Quevedo’s works, in these texts the passing of time is primarily a reason for mockery. The presence of the old man amounts to that of a caricatured nincompoop. Compared to his female counterpart, however, the satire of the old man is toned down. We can even gather an authorial intention to show sympathy towards this impaired character, whose misfortunes are often, in fact, caused by a woman. The old man can be traced back to similar counterparts from interludes by Lope de Rueda and Cervantes. Although Quevedo does not add new or particular attributes to the character, he does present a peculiar and parodic roster of old codgers afflicted by myriad faults and frailties, and taunted not only by their own kin but also by society at large.