Tanizaki Jun'ichirō, the Kyoto School, and the Twenty-first Century Transparency Society

Abstract

Abstract: Although Tanizaki Jun'ichirō's literary essay In'ei raisan (In praise of shadows) (1933) now sometimes receives serious attention, it is still often dismissed as nostalgic—missing the significance of Tanizaki's ontology of the shadow for our information-saturated era, with its conformist tendencies to block out all negativity. This essay relocates In'ei raisan within two historical contexts: first, the Kyoto School, including Kyoto's negotiation with Martin Heidegger, and a wider attempt to overhaul the empiricist, property-driven hardwiring of progress derived from the British empire; second, the recently burgeoning field of 'critical transparency studies', for which the promise of perfectly clear representation risks a bureaucratic authoritarianism absorbing all agency. To a remarkable degree, the diagnosis by twenty-first century critical transparency studies of a narcissistic, technocratic addiction to positivity is already there in Tanizaki's shadows. These shadows deserve reconsideration for their potential to derail our condition of 'stuckness' in a progress defined by an empiricist instrumentalization of the world.