Abstract
This article looks at The Iron Lady (2011) as a biopic in which discourses of history and feminism might appear to clash but are reconciled in the figure of Meryl Streep as the star. It considers the divisive figure of Mrs Thatcher, in the context of a film which was directed, written and edited by women, and uses this to consider the approach to history in this biopic and to contribute to debates about how far the makers of biopics are free to create their own version of a historical figure. Drawing largely on contemporary accounts of Thatcher as a political figure in the 1980s, I argue that the film offers a reading of her which can claim to be both feminist and historically plausible. Finally, the article examines the discourses of characterisation, stardom and performance which allowed Meryl Streep to be so successful in taking on the role of a politician who was herself a consummate performer.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
