Abstract
The New World Performance Laboratory is an experimental theatre company based in Cleveland, Ohio, founded by a number of artists who originally collaborated in the context of Jerzy Grotowski's Objective Drama Programme. NWPL investigates traditional performance techniques of various cultures, conducting private research as well as mounting publicly-accessible productions. Iranian director Massoud Saidpour, a founding member of the company, has developed a series of performances based on Sufi teaching stories which explore the adaptation of traditional Persian materials and performance idioms for presentation by a culturally-diverse ensemble. Here, Lisa Wolford examines the traditions and source materials from which Saidpour's performance structures are derived, and considers the potential impact, both for participants and spectators, of working with material drawn from esoteric or initiatory genres. Lisa Wolford participated in Jerzy Grotowski's Objective Drama Programme from 1989 to its conclusion in 1992. Her book on Objective Drama Research,The Intersection of the Timeless Moment, is forthcoming, and she is also co-editor with Richard Schechner ofThe Grotowski Sourcebook, to be published by Routledge. Her writings on Grotowski and the New World Performance Laboratory have appeared inThe Drama Review, and she is currently completing her doctoral dissertation on Grotowski's recent work at Northwestern University.
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