Abstract
1. Introduction 2. 'Gerontion', criticism, and the limits of the dramatic monologue 3. 'Sweeney among the nightingales', 'Burbank', and the poetics of anti-Semitism 4. 'Dirge', 'A Cooking Egg', The Waste Land, and the aesthetics of ugliness 5. Free-thinking Jews, persecuted Jews, and the anti-Semitism of Eliot's prose 6. Making amends, making amendments.
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