Abstract
Abstract Multimodal constructions which intertwine language and music are characteristic of the discourse of creative encounters among musicians. This interactional linguistic study reports on one such construction: the ‘Music-taking-predicate’ (MTP) construction. MTP constructions consist of a projective verbal predicate, and a stretch of sung or played musical expression following it. Based on naturalistic video data of Hebrew-speaking musicians in rehearsals and production sessions, I show that instances of this construction emerge as formulae for the achievement of several interactional tasks integral to the process of joint music making.
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