Abstract
Comparaison des brassages de genres dans la musique populaire aux Etats-Unis au cours des periodes 1960-1970 et 1982-1986, et du role joue par les musiciens afro-americains; analyse des strategies de metissage culturel propres a ces derniers dans la culture americaine, et de la manipulation de l'identite « Black » et du metissage dans et par l'industrie de la communication
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