Abstract

Synchrotron X-ray µ- and nano-probes are increasingly affirming their relevance in cultural heritage applications, especially in material characterization of tiny and complex micro-samples which are typical from archaeological and artistic artifacts. For such purposes, synchrotron radiation facilities are tailoring and optimizing beamlines and set-ups for CH, taking also advantages from the challenges offered by the third-generation radiation sources. In ancient ceramics studies, relevant information for the identification of production centers and manufacture technology can be obtained in a non-invasive and non-destructive way at the micro-sample level by combining different SR based methods. However, the selection of appropriate beamlines, techniques and set-ups are critical for the success of the experiments. Fine and varnished wares (e.g., Attic and western-Greek colonial products) are an excellent case study for exploring challenges offered by synchrotron X-ray microprobes optimized to collect microchemical and phase-distribution maps. The determination of provenance and/or technological tracers is relevant in correctly classifying productions, often based only on ceramic paste, gloss macroscopic features or style. In addition, when these vessels are preserved in Museums as masterpieces or intact pieces the application of non-invasive approach at the micro sample is strictly required. Well-designed synchrotron µXRF and µXANES mapping experiments are able providing relevant clues for discriminating workshops and exploring technological aspects, which are fundamental in answering the current archaeological questions on varnished Greek or western-Greek colonial products.

Highlights

  • Laboratory X-ray fluorescence (XRF) is traditionally used for provenance issues

  • In some cases, the artistic and cultural value of ceramic objects—especially when preserved and exhibited in Museums as masterpieces—prevents macro-sampling needed for such destructive XRF analyses

  • From experimental studies it is known that in order to obtain a good quality black gloss ceramic a multi-phase firing process it is required, with a precise control of temperature and firing duration during each ORO phase. These parameters affect the final appearance of the black gloss, turning from bluish to brownish red [31,45]

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Summary

Introduction

X-ray fluorescence (XRF) for cultural heritage materials is a widely used and wellassessed technique for compositional characterization of archaeological and artistic objects It enables the elemental analysis of materials and provides an easy way to determine the materiality of artifacts [1,2,3,4]. When used with a non-focused X-ray beam, as it is often provided by laboratory instruments, sampling might be needed to obtain meaningful and reliable bulk analysis. This typically consists of the preparation of pressed pellets from a few grams of powdered sample. The use of portable XRF systems enables to overcome this limit

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