Symbolism of celestial bodies in the poetic text of Anna Akhmatova: moon symbols

Abstract

The article reveals the main functions of the symbolism of the moon in the poetry of A. Akhmatova by means of a complex description of direct and secondary (month, moonbeam) names of celestial bodies from the standpoint of functional originality of "cosmism" that existed in the era of Silver Age. The main semantic groups are singled out taking into account cultural and individual-author specificity, the specificity of direct ("moon", "month") and semantically related ("night light", "moon ray") construct of the celestial body are revealed, the individual-author concept of "psychological landscape" acting as a relay of emotions of the lyrical hero is reproduced. The images of celestial luminaries as a purely important component of the national picture of the world, as well as the system of moral and poetic attitudes are substantiating. The nomination of celestial bodies interpret as an interrelation of traditional and poetic perception of the worldview, realised in the works of Anna Akhmatova, a representative of Acmeism. The hypothesis introduces that solar-lunar images are an integral part of Anna Akhmatova's poetry, an important element of "psychology". Akhmatova, an important element of "psychological landscape", metaphorical comprehension of the historical context. Meanwhile, the image of "moon" that is read as a conceptual and semantic unity in several thematic groups and represented by a wide range of lexical units. A comparative analysis of similar and opposite aspects is carried out, the influence of the shape (crescent, disk) and color (green, pink, silver) of the night luminary on the interpretation of mythopoetic representations is determined, individual author's concepts in the interpretation of the negative lunar space, the interrelation of the real and otherworld are substantiated, the idea of ghostliness and illusory nature of what happens at night is actualised. The poetry of Anna Akhmatova distinguishes individual mythopoetic interpretations of the “moon” as an apocalyptic symbol of the mystical otherworldly nature. The statistics of references to the concept "moon" in the poetic text is given. Akhmatova's poetry explores the personal meanings of the concept 'moon', which include it as a background landscape and a symbol of creativity. It says about the fruitfulness of further observations on the interpretation of celestial luminaries and other cosmic objects in Anna Akhmatova's work in the aspect of building an artistic model.