Abstract

This article builds a gendered understanding of Bourdieu’s concept of symbolic capital. Through a comparison of two cultural fields – the heavy metal scene and the contemporary folk scene in Toronto, Canada – I show that field structure impacts the extent to which gendered dispositions (which we can understand as masculine capital and feminine capital) are exchangeable for symbolic capital, or reputation. Using semi-structured interviews, discourse analysis, and participant observation, I highlight two features of the fields that shape the extent to which masculine and feminine capital produce symbolic capital: the degree to which symbolic capital is institutionalized, and the level of symbolic boundary-drawing in the field. The heavy metal field’s low institutionalization of symbolic capital and high symbolic boundaries heighten the salience of gender as a basis of symbolic capital, while the folk field’s high institutionalization of symbolic capital and low symbolic boundary-drawing reduce the extent to which gender matters.

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