Abstract

Syair Kisah Perang Rokam (The Ballad of the Rokam War) is a historical syair depicting the outbreak of the anti-British resistance among the Malay folks of Serkam in the state of Malacca in 1887. The uprising of social unrest rose due to the enforcement of a new revenue system that brought repressed emotion among the people. The account of the events were transmitted orally as a local legend and later composed by a person named Encik Hasin into an oral verse form, the syair. It was then transformed into the written form based on the personal notes of Haji Omar Haji Osman, a local religious personage, teacher and also a local historian. Although, the syair encapsulates only nineteen verses, however, it manages to portray the event, criticizing both the British and the local villagers. The British were criticized for introducing such an unfavourable taxation scheme whereas the locals were criticized for their lukewarm spirit in their struggle against the colonial force. In view of this, the purpose of this paper is to introduce a syair form of historical work originated from a village milieu which was orally composed. This paper will also elaborate the folkloristic nature of the syair and its conceptual implication to the conventions of Malay syair. As a commoner’s composition of poetic form originated from the village milieu, the characteristic of folkloristic features were highly visible as it was presented in the language of the everyday Malay society. Such folkloristic features could be seen in terms of words selection, sentence construction, the used of nicknames blended with the elements of humour to bring a jovial mood to the audience although there were also historical elements significantly embedded in the syair.

Highlights

  • The pantun is perhaps the best and most well-known poetic-rhymed verse forms ever created by the indigenes of the Malay Archipelago. (Note 1) Despite originating from the sociocultural milieu of the quintessential Malay village, the pantun has been celebrated across the Archipelago by peoples of diverse sociocultural and linguistics backgrounds who in their daily communications, may have found the four-line verse form truly capable in functioning as a social criticism, as an expression of customs and traditions; as an incantation of magic and charms; for teaching wisdom and the precious art of behaviour; for amusements especially in song and in matters of amorous events (Braginsky, 2006, p. 501-502)

  • The purpose of this paper is to introduce a syair form of historical work originated from a village milieu which was orally composed

  • This paper will elaborate the folkloristic nature of the syair and its conceptual implication to the conventions of Malay syair

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Summary

Introduction

The pantun is perhaps the best and most well-known poetic-rhymed verse forms ever created by the indigenes of the Malay Archipelago. (Note 1) Despite originating from the sociocultural milieu of the quintessential Malay village, the pantun has been celebrated across the Archipelago by peoples of diverse sociocultural and linguistics backgrounds who in their daily communications, may have found the four-line verse form truly capable in functioning as a social criticism, as an expression of customs and traditions; as an incantation of magic and charms; for teaching wisdom and the precious art of behaviour; for amusements especially in song and in matters of amorous events (Braginsky, 2006, p. 501-502). (Note 6) Court narratives aside, interestingly, there are several historical works in the syair form which were orally composed sans patronage and which subsequently, were narrated by lay persons. These syair include ‘Syair Sungai Perak (The Ballad of River Perak)’, ‘Syair Kampung Behrang Ulu (The Ballad of the Upper Behrang Village)’, (Note 7) ‘Syair Keramat Teluk Rubiah (The Ballad of the Sacred Bay of Rubiah)’ (Note 8) and ‘Syair Kisah Perang Rokam (The Ballad of the Rokam War)’ This paper will elaborate the folkloristic nature of the syair and its conceptual implication to the conventions of Malay syair

Two Versions of Syair Kisah Perang Rokam
The Text
Conclusion
Historical Elements
Full Text
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