Abstract
The article discusses the results of a technical study of a collection of medieval sword and dagger pommels owned by the Metropolitan Museum of Art in New York City, with particular focus given to the probable use of the lost-wax technique to create them and the conclusion that they were most likely created in Europe due to the presence of Champleve enameling. A brief overview of medieval metalwork is presented, and the pommels and their creation are described in detail. The association of the pommels with the crusades is also commented on.
Published Version
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