Abstract
Previous articleNext article No AccessSWITCHING PLACES: SALVATOR ROSA'S PENDANTS OF "A WITCH AND A SOLDIER", AND THE PRINCIPLE OF DEXTRALITYGuy TalGuy Tal Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Source Volume 30, Number 2Winter 2011 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/sou.30.2.23208569 Views: 24Total views on this site Citations: 2Citations are reported from Crossref © 2011 Ars Brevis Foundation Inc.PDF download Crossref reports the following articles citing this article:Guy Tal Saint or Sinner? Enea Vico’s Old Woman with a Distaff after a Drawing by Parmigianino, Source: Notes in the History of Art 38, no.33 (Apr 2019): 143–157.https://doi.org/10.1086/703428Gregory J. Decker Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’s Rodelinda, Music Theory Online 19, no.44 (Dec 2013).https://doi.org/10.30535/mto.19.4.1
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