Abstract
Abstract Percy Shelley’s ‘satiric drama’ Oedipus Tyrannus; or Swellfoot the Tyrant was not widely read, and is not a polished work of literature. But it is valuable as a rare example of Aristophanic reception in literature, not scholarship, before the mid-nineteenth century. Throughout the play, Shelley weaves in countless allusions to ancient comedy, and it shares with Old Comedy a biting, topical humour. Chapter 3 explores the political and literary context of this challenging play, exploring how Shelley constructs a stinging political satire that is both deeply Aristophanic and intensely—purposefully—unpleasant. Swellfoot is truly radical, and therefore represents a unique reception of Aristophanes in a liberal, class-sensitive voice at a time when he was invariably read as aristocratic.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
