Abstract
In his study of Swift's satire Edward Rosenheim observes that some satirical works are ephemeral and do not outlive the issues that give them birth: “Like any form of pamphleteering, satire tends to claim the attention of the reading public only so long as that public is capable of a concern, approximating that of the satirist himself, for the questions under discussion.” The tract of Swift's which I am about to discuss was certainly occasional and has but modest claims to universality; indeed, there is no general agreement even now among Swift's commentators that the work originally had a satiric intent: most prefer to read it, the Project for the Advancement of Religion and Reformation of Manners (1709), as a serious reforming tract of the times. As such, the Project is undoubtedly of limited interest, but it yields hitherto unsuspected complexities and ironies, not to mention comedy, when we inquire into the now forgotten issues that gave it birth.
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