Abstract
The art and mind of Jonathan Swift have been the objects of ever greater critical attention for the last twenty or thirty years. So thoroughly have the commentators discussed Swift’s attitudes and their origins that there would seem to be little left to discover about the Dean’s views or why he held them or how he applied them. In respect to the role played in Swift’s thought by his reading in historiography, however, and the importance of history in the conceptual bases of his writings, critics have assumed more than they have demonstrated. In spite of sonic useful published disquisitions — by Herbert Davis and Irvin Ehrenpreis — the implications of the importance of Swift’s historical outlook have not been fully explored, nor have the formation and configuration of his historically founded beliefs been clarified and documented. The present study will attempt to explain in some detail Swift’s ideas of history, where he got them, and how they affected his non-historiographical compositions.1
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